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Welcome


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Welcome


picture: Screencraft 4K colorgrading

 

welcome to the TV WERK website

 

As service provider for all fields of modern media production, TV WERK's individual departments cover all aspects from creative concepts, production and post production to archiving.

They offer a complete 4k post production pipeline that meets all requirements.

Nine modern and fully furnished AVID suites with on-site support reflect our philosophy of short distances. Powerful servers, connected via glass fibre make sure the data is accessible without any delay.

The animation department provides various services like concept and creation of film titles, motion graphics and Blu-ray menus as well as 2D / 3D character design, storyboard and animatic, pre-vis and of course animation for web, TV and cinema.

The VFX department offers rotoscoping, matte painting, retouch in SD/HD/2K and 4K and compositing using modern software packages like Autodesk's “Flame”, “Flare”, “Smoke” and The Foundry's “Nuke” as well as the complete “Adobe Creative Cloud”.

A team of post production supervisors, producers and VFX coordinators guarantee a smooth and on time progress for the individual projects.

With our real time color grading system (Baselight TWO gen. 5) looks are created for all kind of projects, form TV-commercials to international cinema productions.

Furthermore TV Werk offers DCDM, 2K/4K -DCP-Mastering, DVD- and Blu-ray-Authoring, trailer editing, EPK production and creation of all material necessary for international cinema, TV and home entertainment distribution.

Everything under one roof!

 

Some of our costumers:

 

Pampers, Ariel, P&G, BMW, AUDI, BRAUN, STO, FROSCH, Rainette, Frankfurt Film, Parka Pictures, Filmbüro Münchner Freiheit, Constantin Film, Constantin Entertainment, Filmfest München, Tarzan, MINI, BR, ZDF, SECURITEL, FWU, Goldene Kamera, Angenehme Unterhaltungs GmbH, Schwarzkopff TV, Danone, Y&R, Hape Kerkeling, Heino, Pro7, Rinecker, Paramount, Disney Channel, Amblimation, Universal Pictures, Warner Bros., Flughafen München, TLC, Discovery Channel, MAN, Munich Animation, Osram, Opel, VW, Oerag, Nestle, Rauch, Sony, Studio 100, SWM, Voltaren, Fruchtzwerge

 

CONTACT

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Post-Production


Editing feels almost like sculpting or a form of continuing the writing process.
- Sydney Pollack

Post-Production


Editing feels almost like sculpting or a form of continuing the writing process.
- Sydney Pollack

picture:  mood VFX

TV WERK offers a complete 4K-post-production workflow based on the latest professional standards.

Nine state-of-the-art Avid suites, comfortably furnished, with 24 hour on-call support are the perfect embodiment of TV WERK's philosophy: Efficiency and accountability.

High-powered media-server, hooked up to ultra-high-bandwidth fibre-optics connections enable the fastest possible data-access throughout the campus on all workstations.

Our VFX-department offers rotoscoping, painting, retouching and restoration, matte-painting and compositing on SD, HD, 2K and 4K materials with the latest software-packages from Autodesk (Flame, Flare, Smoke), The Foundry (Nuke) as well as the entire Adobe Creative Cloud.

Our team of post-production-supervisors, producers and VFX-coordinators ensure that deadlines are kept no matter whithout ever loosing sight of the "big picture".

We just upgraded our color-correction suite to Baselight 2 Gen 5, making Screencraft one of few post-production-facilities in Germany offering a realtime 4K color grading suite.
Three-time Academy Award winning director of photography, Mr. Vittorio Storaro ("Apocalypse Now", "The last Emperor") was kind enough to pay us a visit overseeing the color-correction of his latest feature film production.

We offer comprehensive playout-capabilities to all industry-standards:

any kind of tape drive, digital and analogue - DCDMs, 2K-/4K-DCPs and all common media for international cinema-, TV- and home-entertainment-distribution.

Furthermore DVD- and Blu-ray-authoring, trailer-editing, EPK-production.

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Content-Management


Selling my film is akin to having a baby and then handing it over to somebody else to raise.
- Kevin Smith

Content-Management


Selling my film is akin to having a baby and then handing it over to somebody else to raise.
- Kevin Smith

picture:  3D Audi R8 for Audi AG

The management and archiving has become an essential part of modern content-distribution.

The TV WERK is able to offer complete, easily scalable and well established workflows for the most demanding and comprehensive content-catalogues.

Whether tapes, film-material or file-based (LTO) storage systems, our climate-controlled archive fulfills all needs of any media-type.

Amongst others, we are currently hosting one of the world's largest, most comprehensive media-archive of family entertainment program with ca. 50.000 separate media.

Beyond "mere archiving" the multilingual TV WERK team can help you establish and manage the complete usage-rights for your media.

And of course, we can efficiently help you with the adaptation and localization of your media to perfectly suit any market.

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Production


We don’t make movies to make money, we make money to make more movies.
- Walt Disney

 

Production


We don’t make movies to make money, we make money to make more movies.
- Walt Disney

 

picture:  mood Screencraft Studio

Our production team supports you in all aspects of content-creation, from the idea to the fully realized film.

Our portfolio: premium corporate video and media, teaser, advertising and short-film as well as documentary work, combining a thorough understanding of the subject with a quick and efficient realization.

Together with you, TV WERK's producers find the ideal concept and help develop it into an optimal and professional form.

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Creation


As a filmmaker, I'm very collaborative. I don't pretend to know everything that is needed to make a movie. What I like to do is get together with a group of people, starting with developing the story and bounce around ideas.
- John Lasseter

Creation


As a filmmaker, I'm very collaborative. I don't pretend to know everything that is needed to make a movie. What I like to do is get together with a group of people, starting with developing the story and bounce around ideas.
- John Lasseter

 picture: An American Tail: Fievel Goes West (1991) © Universal Pictures / Amblin Entertainment

Our creative team, lead by highly regarded animation director Jürgen Richter, brings know-how and creative energy to any project.

With many years of experience in the field of 2D and 3D animation, through close collaboration with award winning filmmakers and international production-houses like Dreamworks SKG, Disney or Constantin Film, TV WERK is able to create entire worlds with a single brush-stroke.

Our portfolio: Logo-Design, On-Air-Design, development and design of appealing film-titles and DVD-/Blu-ray menus are just as much a part as 2D and 3D character-design, story-boarding, animatics and previz.

Besides that, we offer prep-services like VFX breakdowns and calculations.

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Production-services


If I were ever stranded on a desert island there would be three things I'd need: food, shelter, and a grip. 
- George C. Scott

Production-services


If I were ever stranded on a desert island there would be three things I'd need: food, shelter, and a grip. 
- George C. Scott

picture : Roberto Perpignani, Vittorio Storaro, Matthias Sternberg, Michael Hieber

If you are looking for a reliable service-partner able to support you in the realization of projects, TV WERK offers the perfect infrastructure.

The 150qm green-screen studio is technically fully equipped (studio-lighting, camera-stage, both broadcast and cinema-cameras) with wardrobe, make-up and a professional kitchen.

Production-services include the organization and implementation of external shoots as well as the conception of shooting schedules and budget calculations for any kind of media-production.

Our VFX supervisors will assist you during principal photography to guarantee a flawless post-production.